inference Questions

Read the given passage and answer the questions that follow.
Much to their annoyance, pen-pushers are routinely reminded that a picture is worth a thousand words-except that sometimes they can be wrong ‘words’ as happened last week when Reuters was forced to withdraw more than 900 pictures taken by a freelance photographer after it was suspected that he had ‘doctored’ two recent photographs of the Israeli-Lebanon conflict.
In one picture, the smoke billowing from an apartment block after an Israeli air strike was allegedly thickened by the photographer, Adnan Hajj, to dramatise the impact of the bombardment - and in another two flares were suspected to have been added to an image of an Israeli jet in action over Lebanon.
The allegation of doctoring, first made by several bloggers, was confirmed by Reuters after an inhouse investigation. Mr. Hajj, who had sold pictures to Reuters for more than 10 years, denied manipulating the two photographs and attributed the thick smoke in the first picture to “bad lighting” and the fact that he was “trying to remove dust marks.” As for the second, he said, “there was no problem with it - not at all.”
But Reuters was not convinced and said it was removing all of his pictures from its database and would not be using his services any more. “This represents a serious breach of Reuters’ standards and we shall not be accepting or using pictures taken by him,” the news agency said.
The idea that the camera never lies is as misleading as the notion that all statistics are meant to mislead. What the ‘eye’ sees is not always what it looks like, thanks to the many ways in which first the camera and then the photograph can be - and is often - manipulated.
Indeed, a photograph can be manipulated in more ways - and more effectively - to convey a false reality than it is possible to do through the written word. Ask any clever photographer and he will tell you the tricks the camera can be made to play.
At a seminar recently, one journalist recalled how there was a time when British photographers, covering stories about famine or floods in Third World countries, would carry teddy bears with them in order to use them as props for pictures supposedly showing that all that was left in the household, stricken by death and destruction, were children’s toys.

According to the passage, it can be inferred that a camera:

Dilya-eje, a secondary school teacher in the border village of Samarkandek, Kyrgyzstan, often visits the houses of her neighbourhood to record the children who should attend school the next year. She always indicates the status of their parents in her notebook. More than half of the parents are labelled as migrants.
When men migrate, women take on the usual male roles: today most agricultural labour in the villages is done by women. But in Kyrgyzstan there are also a high number of women migrants. In 2016, women accounted for about 40% of total Kyrgyz labour migrants to Russia. Some are divorced or married women and some are very young girls who begin to earn money just after graduating from high school. Women migrating to Russia are usually employed in the service sector.
Because of these trends, traditional notions of femininity and masculinity are now often in conflict. Despite the fact that these women are sometimes the main source of income in their families, they have to face misogynistic behaviour – and violence.

What does the passage actually mean when it says that the women do agricultural labour?